Great lighting can make a huge difference on any project and I'd love to take a class at DFC that gets into the nuances of making great lighting, especially under a variety of circumstances: from studio lighting kit set-ups down to back alley shoots with a broken mirror and piece of tinfoil. Hands-on theory and applications and some intensive practice. _________________ Donald Harrison
www.7cylinders.com http://www.myspace.com/whoisdonald
What about a workshop on casting. I hate casting calls that are so broad, that by the time they narrow what they are looking for, the casting call is full of people who are totally wrong for he project. Waste a lot of time for the actors.
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